This isn’t what people think NFT art looks like anymore. The medium didn’t disappear. It evolved.
Zero 10 has had two showings. It’s already one of the most important forums for digital art in the world.
The Miami edition in December was maximalist — Beeple, Tyler Hobbs, Art Blocks, very much rooted in the NFT world.
Hong Kong was a completely different show. More nuanced, more traditional fine art adjacency, more blending of physical and digital. And much more rooted in place.
Sougwen Chung completed a ten-meter calligraphic scroll live using brainwave interfaces. All Seeing Seneca showed cast glass sculptures alongside digital paintings — Eastern and Western influences, each medium leaning into its specific properties. Botto produced 20 video works live over five days, with 16,000 visitors’ faces and emotions feeding directly into the work being created in real time. Robert Alice — the first artist to auction an NFT at Christie’s in 2020 — with one foot in the NFT world and one in a 500-year-old Chinese collecting tradition.
What’s emerging is a show that’s maturing in real time. And that’s worth paying attention to.
🖥️ Digital Art × Culture | The medium didn’t disappear. It evolved. Follow for more on art, fashion, and power.
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